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Adapted from Iraqi writer Sinan Antoon’s award-winning novel, The Corpse Washer is a haunting portrait of a young man coming of age and a society’s fight for survival, in a country where life and death are inextricably intertwined. adapted for the stage by Ismail Khalidi and Naomi Wallace from the novel of the same name by Sinan Antoon.
The corpse washer Antoon, Sinan. Young Jawad, born to a traditional Shi'ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor, to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s.
Sinan Antoon’s second novel The Corpse Washer (2013) is a remarkable achievement for two reasons. First, it showcases starkly and poetically the day-to-day struggles and calamities faced by.
In the last years, more and more literary accounts of recent and current wars in the Middle East have been published. In most cases, they are authored from a Western viewpoint and provide a narrow account of the Muslim world. This article focuses on Sinan Antoon’s The Corpse Washer because it opens the scope. That is, it constitutes an alternative to the imagery of the American film industry.
For my research essay, after reading “The Corpse Washer” by Sinan Antoon, I have put my attention to the unemployment conditions after war and the consequences that led millions to a shocking life. Unemployment and poverty levels are significantly high and many families continue to rely on government food supplies to cover their immediate.
If death is a postman, Sinan Antoon's protagonist, Jawad, is the reluctant caretaker of each 'letter' in Baghdad during the 2003 invasion. In The Corpse Washer, Antoon employs this and other.